The Lake, Artist's Residency Program
Morris Graves (1910–2001) was an American painter and early Modernist from the Pacific Northwest, known internationally alongside Mark Tobey.
Over his lifetime, he created four estates: two near Seattle, one in Ireland, and his final home near Loleta, California, where he lived until his death. The property then passed to his caretaker, Robert Yarber, and Yarber’s wife, Desiree.
The 150-acre site features old-growth forest, a six-acre lake dotted with small islands, all within a coastal rainforest in a very private and secure location.
Before his death, Graves along with Robert established a foundation to preserve the land and support an artist's residency program. His studio now serves a s a place for an artist Residency Program for solitary residencies. In keeping with Graves’ values, no electronics, including cameras or phone, are allowed.
My Time at The Lake
My first visit to The Lake was ten years ago, when I attended a one-day watercolor class taught by a local artist. I was immediately in awe of the natural beauty of the place—it was unlike anything I had ever experienced. A year ago, I returned for another painting class and finally mustered the courage to apply for an artist residency. Long story short, my proposal was accepted, and in early June 2026, I set off on my much-anticipated adventure.
My original residency project was a 16" x 40" scroll-style collage using hand-printed fabrics and papers made with plants from the surrounding grounds. I also packed my sketchpad and sketchbook journal and watercolors. I quickly discovered I had brought far too many supplies!
I narrowed my focus to gel-plate printing with local plants, leaves, and feathers. Freed from the distractions of email, social media, and work commitments, I was able to immerse myself completely in the creative process.
My series of 24 prints progressed from abject failures to wonderful images filled with light, energy, and the intense sense of beauty I felt throughout my stay.
Imaage: Bracken Fern, Japanese Mulberry Paper, 9" x 12"
The 1,000-square-foot studio where I lived and worked had windows stretching across the front of the building. Sitting at the drawing table and looking out over the lake, I felt an extraordinary sense of awe, gratitude, and peace. Whenever I feel stressed now, I return to that feeling in my mind.
If you've ever considered an artist’s residency, I encourage you to explore the possibilities. Opportunities exist all over the world—and your next creative adventure might be closer than you think.
Image: Osprey Feather, Japanese Mulberry Paper, 9" x 12"
References:
Morris Graves Foundation (check out the residency info and application here)